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Exclusive Projects

The architecture of colour.

Lapso's work on exclusive projects follows the same logic as the atelier: colour is not chosen from a catalogue. It is developed from the material, the light, the space and the intention of each project.

In architecture, interiors, set design, costume, installations and artistic collaborations, natural dyeing becomes a tool for creation. Colours, surfaces and textiles are developed through research and experimentation specific to each brief.

Each project opens a new field of inquiry between colour, material and space.

Work references

A bed with cushions and a bed runner in ochre and mustard tones under the warm light of a lamp, in the Casa Mineira showroom
Natural dyeing for the Casa Mineira showroom, a Très Arquitetura project
A bed with a sage-green throw and cushions in front of shelves of folded bedding in terracotta, blue and white, in the Linea Home showroom
Natural dyeing for Linea Home, a Très Arquitetura project
A character reads a book by the light of an oil lamp, sitting on a bed inside a tent; the bedding, the sunlit curtain at the window and the picture on the wall behind are all naturally dyed, in a scene from Mila in the Multiverse
Naturally dyed bedding, curtains and wall hanging for the series Mila in the Multiverse, Disney+Image: © 2021 Disney. All rights reserved.
A model with eyes closed and a hand on her head wears a ruffled top and skirt in an orange, pink and yellow gradient, against a stone wall with foliage
Natural dyeing in collaboration with Layla Marques

What can be developed

  • Architecture and interiors — curtains, panels, textile wall coverings and other surfaces developed in dialogue with the space, the light and the materials.
  • Set design and installations — textiles and colour interventions for exhibitions, sets and art projects.
  • Special fashion and costume pieces — development of colours, dyeing and surfaces for one-off pieces, costumes and signature projects.
  • Collaborations — joint development with architects, designers, artists and brands, shaped by the needs and language of each project.

How it works

  1. Initial conversation

    A conversation about the project, its materials, references, scale and colour intention. From this first contact, the possibilities for development are defined.

  2. Research and development

    Tests are carried out with fibres, dyes, mordants, modifiers and techniques suited to the brief. The samples make it possible to see the possibilities of colour and surface before production.

  3. Production

    Once the direction is set, the work is carried out at the atelier with the approved materials. Timelines vary with the scale and technical complexity of each project.

  4. Delivery

    Each project comes with a record sheet listing the main materials used in the process, including fibres and dyes, along with the information needed to identify the work.

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